The paper offers an analysis of the Tamil film Iru Mugan (Anand Shankar 2016) with regard to the ambivalence in the depiction of its queer/transgender antagonist.
This paper dwells on the catastrophic predicament (predicating both the recent past and immediate future) facing contemporary India, centering around the perpetuation of what may be defined as a non-relational praxis between technology, religion and the environment.
This article will focus on a kind of realignment of humans, animals, and the environment with the help of Indian mythical and spiritual histories.
This presentation intends to explore the operating dynamics of the law and social in enacting the animal pain in the court of law and the sporting arena, and thus speculate the possibilities of approaching more-than-human pain.